The Mock Turtle drew a long breath and said, 'That's very curious' - Arthur Rackham
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Beschreibung
An iconic illustration by Arthur Rackham from his 1907 edition of Alice's Adventures in Wonderland, featuring Alice with the Mock Turtle and the Gryphon.
Arthur Rackham produced this illustration for the 1907 edition of Lewis Carroll's Alice's Adventures in Wonderland. The scene depicts Alice seated between the Mock Turtle and the Gryphon upon a rocky shore. Rackham employs his characteristic technique of combining fine, controlled ink lines with muted watercolour washes to define the figures and the surrounding environment.
The composition balances the fantastical nature of the creatures with the grounded, observant presence of Alice. The Gryphon, with its eagle-like head and lion-like body, is rendered with a sense of physical weight, while the Mock Turtle appears melancholic and weary. Rackham uses the craggy rock formation behind the trio to frame the figures, creating a sense of enclosure that draws the viewer into the conversation. His attention to texture is evident in the depiction of the Gryphon's feathers and the rough surface of the rocks, which contrast with the smooth, simple lines of Alice's dress.
Rackham's work is defined by a specific approach to fantasy, where the grotesque and the whimsical coexist. His ability to capture the psychological state of the characters through posture and expression is evident here. The muted palette, dominated by earthy browns, ochres, and soft greys, reflects the artist's preference for a subtle, atmospheric aesthetic. This print captures a moment of quiet reflection within the narrative, demonstrating Rackham's skill in translating literary descriptions into visual form without relying on excessive ornamentation. The work remains a primary example of early twentieth-century British book illustration, reflecting the period's interest in folklore and imaginative literature.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Mock Turtle drew a long breath and said, 'That's very curious' - Arthur Rackham
Artist Biography
Arthur Rackham
He came back to London and got a job as an insurance clerk at the Westminster Fire Office, studying part-time at the Lambeth School of Art. In 1892 he left insurance for the Westminster Budget, where he worked as a reporter and illustrator. The illustration work took over. His watercolour of Winchelsea had already been accepted by the Royal Academy and sold for two guineas when he was twenty-one.
He met the painter Edyth Starkie over a garden fence. She encouraged him to stop imitating other illustrators and follow his own instinct, which ran toward twisted trees, gnarled roots and creatures that lived in the gaps between the real and the imagined. They married in 1903. That same year he illustrated The Fairy Tales of the Brothers Grimm, which was reprinted twice and made his name.
His style fused northern European line drawing (Durer, Altdorfer) with Japanese woodblock composition. The trees have faces. The roots have fingers. Peter Pan in Kensington Gardens and Rip Van Winkle followed, the latter a turning point in book production: its fifty-one colour plates demonstrated that colour-separated printing could accurately reproduce original artwork.
Guillermo del Toro cited Rackham as an influence on the Faun in Pan's Labyrinth. Brian Froud credited him with sparking an interest in fairy illustration. He worked until the end: his final commission, The Wind in the Willows, was completed in 1939 shortly before his death at seventy-one.
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