The Infant Moses Trampling on Pharaoh's Crown - Nicolas Poussin
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Beschreibung
A classic 1645 history painting by Nicolas Poussin, depicting the infant Moses trampling the Pharaoh's crown in a scene of dramatic narrative tension.
Nicolas Poussin, a central figure of the French Baroque, painted this work in 1645. It depicts a narrative from the life of Moses, specifically the apocryphal account where the infant Moses, brought before the Pharaoh, knocks the crown from the ruler's head and tramples it. This act is interpreted by the court as an omen of the future destruction of the Egyptian kingdom.
The composition follows the principles of classical order that Poussin favoured. The figures are arranged across the foreground in a frieze-like manner, reminiscent of ancient relief sculpture. The Pharaoh sits centrally, his posture relaxed yet authoritative, while the surrounding figures react with varying degrees of alarm and curiosity. The architectural setting, featuring columns and a distant palm tree, provides a sense of place without distracting from the primary action.
Poussin uses a deliberate colour palette, with the bright orange and yellow robes of the figures contrasting against the more muted tones of the stone architecture. The lighting is even, avoiding the dramatic chiaroscuro often associated with other Baroque painters of the period. Instead, the focus remains on the clarity of the narrative and the psychological interaction between the characters. The work reflects the artist's interest in historical subjects and his ability to construct complex scenes through careful planning and geometric balance. This print captures the precise brushwork and the structured arrangement of the original composition, offering a clear view of the artist's approach to thematic storytelling.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Infant Moses Trampling on Pharaoh's Crown - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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