The Hand Refrains - Edward Burne-Jones
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Beschreibung
The second scene from Edward Burne-Jones's Pygmalion series, depicting the sculptor's hesitation as his statue begins to show signs of life.
The Hand Refrains is the second painting in the four-part Pygmalion series by Edward Burne-Jones. This cycle depicts the classical myth of the sculptor who falls in love with his own creation. In this specific scene, the sculptor Pygmalion stands in his studio, observing the ivory statue as it begins to show signs of life. His posture conveys hesitation and internal conflict, as he contemplates the boundary between his art and reality.
Burne-Jones employs a muted, earthy palette to define the interior space of the workshop. The composition is divided by architectural elements, separating the creator from the subject. The statue, rendered with soft, pale tones, contrasts with the darker, heavy robes worn by the sculptor. This visual separation emphasises the psychological distance between the man and the object of his obsession. The artist avoids excessive detail, focusing instead on the emotional weight of the moment and the stillness of the studio environment.
As a member of the later Pre-Raphaelite circle, Burne-Jones moved away from the strict naturalism of his predecessors. He favoured a more poetic, dreamlike quality in his work. The Pygmalion series demonstrates his interest in narrative cycles and the exploration of human desire through mythological allegory. The figures possess a characteristic elongated grace, typical of his mature style. This print captures the atmospheric quality of the original oil painting, preserving the subtle gradations of light and shadow that define the studio setting. It is a study in quiet anticipation, capturing the precise second before the statue fully awakens to human form.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Hand Refrains - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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