The Hairdresser - Berthe Morisot
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Beschreibung
A late Impressionist work by Berthe Morisot, capturing a quiet, domestic scene of a woman styling her companion's hair with soft, expressive brushwork.
The Hairdresser, painted in 1894, represents the final period of Berthe Morisot's career. The work captures a private, domestic moment: a woman attending to the hair of a seated companion. Morisot employs a light, rapid brushwork technique that characterises her later output, where the boundaries between figures and their surroundings become increasingly fluid. The palette is dominated by soft pinks, warm ochres, and creamy whites, creating a sense of intimacy and quietude.
Morisot was a central figure in the Impressionist circle, known for her focus on the domestic sphere and the lives of women. Unlike many of her contemporaries who sought out urban spectacles, Morisot often turned her attention to the interior world. In this composition, the figures are rendered with a lightness of touch that avoids rigid definition. The background includes a framed picture and decorative elements, which are suggested rather than described in detail. This approach allows the viewer to focus on the interaction between the two women and the gentle gesture of the hairdresser.
The painting demonstrates Morisot's mastery of light and atmosphere. The white dress of the seated woman reflects the ambient colour of the room, showing the artist's keen observation of how light interacts with fabric and skin. By this stage in her career, Morisot had moved away from the more structured compositions of her earlier years, favouring a more spontaneous and expressive application of paint. The work remains a clear example of her ability to elevate everyday scenes into subjects of genuine aesthetic interest through her unique handling of colour and form.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Hairdresser - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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