Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Black Sash - Giovanni Boldini
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A portrait by Giovanni Boldini capturing a woman in a white satin gown, defined by fluid brushwork and a striking black sash.
Giovanni Boldini, an Italian painter active in Paris, became the preferred portraitist for the social elite during the late nineteenth and early twentieth centuries. His work captures the spirit of the Belle Époque, a period defined by luxury, fashion, and rapid social change. In this portrait, Boldini employs his characteristic rapid, fluid brushwork to depict a woman in a white satin gown. The composition focuses on the sitter's profile, her posture conveying a sense of movement and poise. The eponymous black sash serves as a stark visual anchor, cutting through the luminous fabric of the dress and drawing the eye along the vertical axis of the figure.
Boldini's technique relies on long, sweeping strokes that suggest the texture of silk and the soft contours of the skin. He avoids static poses, preferring to capture his subjects in a state of transition. The background remains loosely rendered, ensuring that the attention stays on the sitter and the interplay of light across her attire. This approach reflects the artist's interest in the immediacy of the moment rather than formal, rigid representation. The inclusion of a small dog near the chair adds a domestic element to the otherwise formal setting, a common trope in his portraiture that humanises the subject.
This print captures the tonal range of the original oil painting, from the deep shadows of the black ribbon to the subtle highlights on the satin. It offers a glimpse into the aesthetic preferences of the era, where elegance and artifice were highly valued. Boldini's ability to balance technical precision with a sense of spontaneity remains his most recognisable trait. This piece provides a clear example of his contribution to European portraiture, documenting the fashion and social atmosphere of the time with a distinct, personal style.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Look vervollständigen
The Black Sash - Giovanni Boldini
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Boldini
In 2010, a Boldini portrait was found in a Paris flat that had been sealed for over fifty years. The painting showed his former muse, the actress Marthe de Florian, and it emerged into a world that had largely forgotten both the sitter and the scale of Boldini's fame. In the 1890s he had been the most fashionable portrait painter in Paris, with a waiting list that included aristocrats, actresses and anyone who wanted to look more alive than they actually were.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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