The Beguiling of Merlin - Edward Burne-Jones
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Beschreibung
A classic Pre-Raphaelite painting depicting the Arthurian legend of Merlin and Vivien, rendered with meticulous detail and atmospheric, dreamlike quality.
The Beguiling of Merlin depicts a scene from Arthurian legend, specifically the moment the sorceress Vivien traps the wizard Merlin within a hawthorn bush using his own spells. Edward Burne-Jones worked on this composition over several years, beginning in 1872 and completing it in 1877. The painting is currently held in the collection of the Lady Lever Art Gallery.
Burne-Jones employs a muted, atmospheric palette to convey the magical, dreamlike quality of the forest setting. The figures are rendered with the elongated proportions characteristic of his mature style. Vivien stands upright, her expression focused and composed as she reads from a book of spells. Her drapery is painted with careful attention to the folds and weight of the fabric, contrasting with the recumbent, defeated posture of Merlin. The hawthorn branches weave around the figures, creating a dense, claustrophobic environment that mirrors the entrapment of the wizard.
The composition avoids traditional perspective, favouring a flattened, decorative arrangement that draws the eye across the surface of the canvas. The artist uses thin, precise brushwork to define the botanical elements, which are painted with a high degree of naturalism. This attention to detail in the flora provides a grounded reality to the mythical subject matter. The interaction between the two figures is psychological rather than physical, focusing on the power dynamic between the captor and the captive. This work is a representative example of the later Pre-Raphaelite interest in medieval romance and literary themes, executed with the technical precision and aesthetic focus that defined Burne-Jones's career.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Beguiling of Merlin - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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