Teppōzu and Tsukiji Monzeki Temple - Utagawa Hiroshige
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Beschreibung
A classic woodblock print from Hiroshige's One Hundred Famous Views of Edo, capturing the maritime activity of the Teppōzu district.
This woodblock print is part of the series One Hundred Famous Views of Edo, produced by Utagawa Hiroshige between 1856 and 1858. The work depicts the Teppōzu area, a district in Edo known for its proximity to the Sumida River and its bustling maritime activity. In the foreground, the large, white sails of boats dominate the composition, drawing the eye toward the water. Beyond the river, the Tsukiji Monzeki Temple sits against the horizon, its dark, heavy roof contrasting with the lighter tones of the sky.
Hiroshige employs a characteristic use of bokashi, a technique involving the manual application of ink to the woodblock to create subtle colour gradations. This is visible in the sky, which transitions from a deep indigo at the top to a pale, warm hue near the horizon. The composition is structured through the use of foreground elements to frame the distance, a common device in Hiroshige's later works. Small figures in boats, wearing traditional conical hats, provide a sense of scale and daily life.
The print captures a specific moment in the geography of nineteenth-century Japan. The temple shown was a significant landmark before it was destroyed by fire, an event noted in the handwritten inscription at the top of the print. The artist balances the stillness of the temple with the movement of the river traffic. The use of clear, defined lines and a controlled palette reflects the technical precision of the Ukiyo-e tradition. This print offers a view into the urban environment of Edo, documenting the relationship between the city's architecture and its waterways.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Teppōzu and Tsukiji Monzeki Temple - Utagawa Hiroshige
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