Tenpōzan at the Mouth of the Aji River in Settsu Province - Katsushika Hokusai
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Beschreibung
A classic Ukiyo-e woodblock print by Katsushika Hokusai, depicting the artificial hill of Tenpōzan and its surrounding bridges in Settsu Province.
This woodblock print by Katsushika Hokusai belongs to the series Remarkable Views of Bridges in Various Provinces, produced during the 1830s. The composition depicts Tenpōzan, an artificial hill constructed at the mouth of the Aji River in Osaka. Hokusai presents a panoramic view that balances the natural topography of the hill with the human activity of the surrounding waterways and bridges.
The print demonstrates the artist's mastery of the Prussian blue pigment, which became available in Japan during this period. This colour dominates the water and the sky, providing a cool contrast to the warm, ochre tones of the hill and the delicate white blossoms of the cherry trees. The scene is populated with small figures traversing the paths and bridges, which provides a sense of scale and daily life in the region. Hokusai employs a structured approach to space, using the winding river and the bridges to guide the viewer's eye across the composition.
Technically, the work displays the precise line work characteristic of the Ukiyo-e tradition. The blocks were carved to capture the textures of the pine trees, the architectural details of the small buildings, and the gentle ripples of the water. The series itself was intended to document famous bridges across Japan, yet Hokusai often expanded these subjects to include the broader environment. This print captures a specific moment in the development of Osaka's geography, documenting the site shortly after its creation. The inclusion of the cartouche in the upper right corner provides the series title and the specific location, adhering to the standard conventions of the period's print culture. The work remains a clear example of the artist's ability to synthesise topographical accuracy with a decorative sensibility.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tenpōzan at the Mouth of the Aji River in Settsu Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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