Tableau I - Piet Mondrian
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Beschreibung
A seminal work of Neoplasticism by Piet Mondrian, featuring a precise arrangement of primary colours and black lines to achieve universal harmony.
Tableau I, painted in 1921, represents a definitive moment in the career of Piet Mondrian. By this stage, the artist had moved away from his earlier representational work to embrace a strict visual language known as Neoplasticism. The composition relies entirely on the interaction between primary colours, non-colours, and a grid of black lines.
In this work, Mondrian limits his palette to red, yellow, and blue, alongside white and black. These elements are arranged within a series of rectangles of varying sizes. The black lines do not merely frame the coloured planes: they act as structural components that define the spatial relationships across the canvas. The asymmetry of the arrangement creates a sense of balance that is dynamic rather than static. Each element is placed with precision to ensure that no single part of the composition dominates the others.
Mondrian sought to strip art of its descriptive functions. He believed that by reducing painting to its most basic components, he could reach a universal harmony. The flat application of paint removes any trace of the artist's hand, allowing the viewer to focus on the pure relationship between the forms. This approach was central to the De Stijl movement, which advocated for a total integration of art and life through geometric abstraction. The work remains a primary example of how the reduction of visual information can produce a complex experience of order and equilibrium. It is a study in the economy of means, where every line and colour choice serves a specific purpose in the overall construction of the image.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tableau I - Piet Mondrian
Artist Biography
Piet Mondrian
Mondrian's move towards abstraction was gradual but decisive. He was influenced by Cubism after moving to Paris, but he ultimately distilled his art to its most essential elements. This radical simplification led to the birth of De Stijl, a Dutch artistic movement that sought universal harmony through pure abstraction. Mondrian believed that by reducing painting to its fundamental components – line, colour, and form – he could reveal a deeper, more spiritual reality.
Though he lived and worked in Europe for much of his life, Mondrian eventually settled in New York City during World War II. His final paintings, such as "Broadway Boogie Woogie," reflect the vibrant energy of his new urban environment. This iconic work, with its pulsating rhythms and dynamic composition, stands as a testament to Mondrian's enduring quest to capture the essence of modern life through the language of pure abstraction. His legacy continues to inspire artists and designers today.
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