Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Sonnenaufgang in Saint-Mammès – Alfred Sisley
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
Alfred Sisleys „Sonnenaufgang in Saint-Mammès“ fängt die heitere Schönheit eines französischen Dorfes in der Morgendämmerung ein und zeigt die Meisterschaft des Künstlers in impressionistischen Techniken sowie seine Sensibilität für Licht und Atmosphäre.
Alfred Sisley, ein britischer Impressionist, schuf „Sonnenaufgang in Saint-Mammès“ im Jahr 1880. Obwohl Brite, verbrachte Sisley den größten Teil seiner aktiven Karriere in Frankreich, wo er die französische Landschaft in seinen Gemälden festhielt. Er ist bekannt für seinen reinen impressionistischen Stil mit einem Schwerpunkt auf Licht und atmosphärischen Bedingungen. Er malte oft „en plein air“ (im Freien) und beobachtete direkt die subtilen Veränderungen in der Natur. „Sonnenaufgang in Saint-Mammès“ zeigt das Dorf Saint-Mammès in Frankreich, wo die Flüsse Loing und Seine zusammenfließen. Das Gemälde fängt das weiche, diffuse Licht des frühen Morgens ein. Die Komposition zeigt im Vordergrund das Flussufer mit Spaziergängern. Die Dorfgebäude sind rechts sichtbar, und eine Brücke überspannt den Fluss in der Ferne. Sisleys Pinselführung ist locker und gebrochen, wodurch ein Gefühl von Bewegung entsteht und die flüchtigen Lichteffekte auf dem Wasser und dem Laub festgehalten werden. Die Farbpalette wird von Blau-, Grün- und Gelbtönen dominiert, die die natürlichen Farben der Szene widerspiegeln.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Sonnenaufgang in Saint-Mammès – Alfred Sisley
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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