Summertime - Mary Cassatt
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Beschreibung
A serene Impressionist scene by Mary Cassatt, depicting two women in a boat on a pond, painted with fluid, expressive brushwork.
Mary Cassatt, an American painter who spent much of her career in France, produced Summertime in 1894. This work captures a quiet moment on the water, featuring two women in a small boat surrounded by ducks. The composition focuses on the interaction between the figures and their immediate environment, a common theme in her oeuvre.
Cassatt employs a fluid, painterly technique that reflects the influence of Impressionist methods. The water is rendered with broad, confident brushstrokes, using a palette of deep blues and dark greens to suggest movement and reflection. The figures, dressed in light summer attire, provide a contrast to the darker tones of the pond. Their posture is relaxed, suggesting an informal, private experience rather than a staged scene.
Her interest in the domestic lives of women and children is evident here, though the subjects are older than those in her more frequent mother-and-child depictions. The inclusion of the ducks adds a sense of natural spontaneity to the scene. The boat acts as a frame for the figures, separating them from the bank while keeping them connected to the water. Cassatt avoids excessive detail, preferring to capture the light and atmosphere of a summer day through colour and form. This approach allows the viewer to focus on the mood of the scene rather than specific narrative elements. The work remains a clear example of her ability to observe everyday life with precision and sensitivity, utilising a light-filled palette to convey the warmth of the season.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Summertime - Mary Cassatt
Artist Biography
Mary Cassatt
She grew up in Allegheny City, Pennsylvania (now part of Pittsburgh), in a prosperous family. She studied at the Pennsylvania Academy of the Fine Arts, where she found the instruction restrictive and the male students hostile. She moved to Paris in 1866, copied old masters in the Louvre, and studied privately with several painters before finding her direction with the Impressionists.
Her subject was women and children in domestic settings: mothers bathing infants, women reading, girls at the opera, women having tea. The subject matter sounds conventional. The treatment is not. She observed her subjects with the same unsentimental attention Degas brought to dancers. The compositions are cropped and angled, influenced by Japanese prints and by Degas's habit of painting people from unexpected viewpoints. Little Girl in a Blue Armchair (1878) shows a child sprawled across a chair with the boredom and physical abandon that adults rarely notice and painters rarely record.
She never married. She was wealthy enough not to need to sell her work. She used her position and her connections to persuade American collectors, particularly the Havemeyers, to buy Impressionist paintings. The Havemeyer collection, much of it acquired on Cassatt's advice, was donated to the Metropolitan Museum. She shaped the taste of American collectors more than any other single individual.
She developed cataracts and was nearly blind by 1914. She stopped painting. She died in 1926, at eighty-two.
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