A precise 1904 botanical study of an elm tree by Dutch artist Coba Steenhoff, rendered in graphite and wash.

This work, titled Studie van een olm, is a precise botanical study executed by the Dutch artist Coba Steenhoff. Dated 1904, the drawing demonstrates the artist's technical proficiency in capturing the skeletal structure of an elm tree. Steenhoff, who was active during the late nineteenth and early twentieth centuries, often engaged with the natural world through a lens of quiet observation. Her approach here avoids unnecessary ornamentation, focusing instead on the rhythmic branching patterns and the delicate distribution of foliage against a neutral wash background.

The composition is balanced, with the trunk positioned to the right, allowing the expansive network of branches to dominate the frame. The use of graphite provides a clear definition of the bark texture and the tapering of the twigs, while the application of wash creates a soft, atmospheric depth behind the subject. This technique allows the viewer to focus on the structural integrity of the tree, stripped of seasonal colour or dramatic lighting. It is a work of restraint, reflecting the artist's interest in the essential form of her subject matter.

Steenhoff was a contemporary of the Dutch Symbolist movement, and while this piece is a direct observation of nature, it carries the characteristic sobriety and attention to line found in her broader body of work. The drawing serves as a record of a specific moment in the artist's practice, where the act of looking is prioritised over stylistic flourish. The muted palette and the careful handling of the medium make this an appropriate choice for those who appreciate the intersection of scientific observation and artistic discipline. The print captures the original tonal variations of the wash and the fine graphite marks, maintaining the integrity of the artist's hand.