Stormy Landscape with Pyramus and Thisbe - Nicolas Poussin
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Beschreibung
A dramatic 1651 oil painting by Nicolas Poussin, depicting the tragic mythological scene of Pyramus and Thisbe set against a turbulent, stormy sky.
Nicolas Poussin painted this work in 1651 for Cassiano dal Pozzo. It depicts a scene from Ovid's Metamorphoses, specifically the tragic end of the lovers Pyramus and Thisbe. The composition is divided between the human drama in the foreground and the atmospheric conditions of the environment. Poussin uses the weather to mirror the emotional intensity of the narrative. A violent storm, complete with lightning, dominates the sky, casting a dark, brooding shadow over the terrain.
The figures of Pyramus and Thisbe are positioned in the lower foreground. Pyramus lies dead, having taken his own life upon discovering the blood-stained veil of his lover, while Thisbe rushes toward him in despair. The surrounding environment is constructed with careful attention to classical architecture and natural forms. Poussin organises the space through a series of receding planes, guiding the eye from the immediate tragedy toward the distant, calmer horizon. The buildings on the right and the hills on the left provide a structured frame for the central action.
This painting is a primary example of Poussin's approach to the heroic landscape. He does not merely record a view, but constructs a setting that serves the narrative purpose. The contrast between the turbulent sky and the static, ordered architecture reflects the tension between human emotion and the permanence of the natural world. The palette is dominated by deep browns, ochres, and slate greys, which heighten the sense of impending doom. The light is used selectively, illuminating the figures and specific architectural details while leaving much of the middle ground in shadow. This work remains a significant example of seventeenth-century French classicism, demonstrating the artist's ability to integrate mythological storytelling with rigorous compositional control.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Stormy Landscape with Pyramus and Thisbe - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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