Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Small Sailors' Home - Kurt Schwitters
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
A 1926 assemblage by Kurt Schwitters, combining found wood and metal elements into a structured, geometric composition.
Small Sailors' Home (1926) is a representative example of the assemblage practice developed by Kurt Schwitters. During this period, Schwitters moved away from the chaotic, anti-art ethos of early Dada toward a more structured, constructive approach. He utilised discarded materials, such as fragments of wood, metal, and industrial detritus, to create compositions that functioned as three-dimensional paintings.
The work features a pale, muted background that provides a neutral stage for the geometric and organic elements attached to the surface. A curved piece of wood, reminiscent of a ship's wheel or a structural fragment, dominates the left side, anchored by a circular metal component. These found objects are juxtaposed with vertical blocks of primary colours, including red, blue, and yellow, which introduce a sense of order and balance. The shadows cast by the physical depth of the materials add a dynamic quality to the piece, as the appearance of the work shifts depending on the angle of ambient light.
Schwitters referred to his creative process as Merz, a term he coined to describe the transformation of refuse into art. By recontextualising everyday objects, he invited viewers to reconsider the aesthetic potential of the mundane. This piece reflects his interest in the intersection of industrial debris and formal composition. The arrangement of the components suggests a maritime theme, though the abstraction remains primary. The work is a study in material texture and spatial organisation, demonstrating how disparate items can be unified through careful placement and colour theory. It remains a significant example of how the artist engaged with the physical reality of the post-war environment, finding beauty in the remnants of a rapidly industrialising society.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Small Sailors' Home - Kurt Schwitters
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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