Self-Portrait in Eastern Dress - David Roberts
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Beschreibung
A portrait of the Scottish artist David Roberts, depicted in traditional Eastern attire following his travels through the Near East.
David Roberts, a Scottish painter known for his extensive travels through the Near East, captured his own likeness in this portrait while adopting the attire of the region. The work reflects the fascination with Middle Eastern culture that defined much of his career, particularly following his journey to Egypt and the Holy Land between 1838 and 1839.
In this composition, Roberts presents himself wearing a turban and traditional robes, a choice that aligns with the conventions of nineteenth-century Orientalist portraiture. The artist looks away from the viewer, his expression composed and contemplative. The lighting is focused on his face and the folds of his headwear, creating a contrast against the darker tones of his cloak and the background. His hand rests upon the hilt of a sword, a detail that adds a sense of narrative to the image, suggesting the persona of an explorer or a traveller.
The circular format of the painting draws the eye towards the centre, concentrating the viewer's attention on the artist's features and the textures of his clothing. Roberts employs a painterly technique, using visible brushwork to define the fabric and the play of light across the scene. The colour palette is dominated by warm ochres, yellows, and deep shadows, which evoke the atmosphere of the regions he documented in his sketches and lithographs.
This portrait offers a glimpse into the personal identity Roberts constructed during his time abroad. It is a record of his immersion in a culture that provided the subject matter for his most famous works. By depicting himself in this manner, he bridges the gap between the observer and the observed, placing himself within the very scenes he sought to bring back to a British audience.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Self-Portrait in Eastern Dress - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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