Saint Catherine - Dante Gabriel Rossetti
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A detailed watercolour by Dante Gabriel Rossetti depicting Saint Catherine with her traditional attributes, rendered in the distinct Pre-Raphaelite style.
This work by Dante Gabriel Rossetti depicts Saint Catherine of Alexandria, a figure frequently represented in medieval and Renaissance art. Rossetti, a founder of the Pre-Raphaelite Brotherhood, drew inspiration from the aesthetic qualities of art produced before the time of Raphael. He favoured clear outlines, flattened perspective, and a focus on symbolic detail over the atmospheric effects common in later academic painting.
In this composition, Saint Catherine stands with her traditional attributes: the spiked wheel and the palm branch. The figure is dressed in a garment featuring decorative embroidery, reflecting the artist's interest in historical costume and textile design. Beside her, a male figure, possibly an artist or a scholar, works at an easel. The scene is set within an interior space that suggests a workshop or a studio, though the spatial depth is intentionally compressed. The colour palette is dominated by saturated tones, particularly the deep red of the companion's robe and the gold of the saint's attire, which creates a visual tension between the two primary figures.
Rossetti often utilised his associates and models to inhabit these historical or religious scenes. The attention to the texture of the fabrics and the precise rendering of the wheel demonstrate the meticulous approach characteristic of his early career. By choosing a religious subject, Rossetti engages with the tradition of hagiography while reinterpreting it through the lens of nineteenth-century romanticism. The work avoids the polished finish of contemporary Victorian art, opting instead for a surface quality that emphasises the materiality of the paint and the hand of the artist. This piece provides insight into the early development of the Pre-Raphaelite style, where narrative clarity and symbolic iconography are prioritised over naturalistic light or shadow.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Catherine - Dante Gabriel Rossetti
Artist Biography
Dante Gabriel Rossetti
He was born in London to an Italian political exile and named after the author of the Divine Comedy. His father was a professor of Italian at King's College. The household ran on poetry, politics, and argument. Rossetti wrote verse throughout his life and considered himself a poet as much as a painter.
His early paintings are small, bright, and meticulously detailed in the Pre-Raphaelite manner. The Girlhood of Mary Virgin and Ecce Ancilla Domini have the flat, jewelled quality of medieval altarpieces. After 1860 the style changed. The paintings became larger, more sensual, and dominated by the face and figure of Jane Burden, who was William Morris's wife.
The relationship between Rossetti, Morris, and Jane is one of the more uncomfortable triangles in art history. Morris married her. Rossetti painted her obsessively. She modelled for Proserpine, La Pia de' Tolomei, and dozens of other works in which she appears as a mythological woman trapped in an unwanted situation. Whether the affair was physical remains debated. Morris, characteristically, said nothing publicly and channelled his feelings into wallpaper.
Rossetti buried a manuscript of his poems in his wife Lizzie Siddal's coffin when she died of a laudanum overdose in 1862. Seven years later he had the coffin exhumed to retrieve them. He published the poems. He was addicted to chloral hydrate by then and increasingly paranoid. He died in 1882, at fifty-three.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen