Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Rosen, Tulpen, eine Iris und andere Blumen, in einer Glasvase auf einem Steinsockel, mit Schmetterlingen und anderen Insekten – Jan van Kessel der Ältere
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
Ein akribisch ausgeführtes Blumenstillleben von Jan van Kessel dem Älteren, das eine Vielzahl von Blumen in einer Glasvase zeigt, begleitet von Schmetterlingen und Insekten. Das Gemälde demonstriert die detaillierte Technik und das Interesse des Künstlers an der Natur.
Jan van Kessel der Ältere, ein flämischer Künstler, der in Antwerpen geboren wurde, war Mitglied der berühmten Brueghel-Familie. Er ist am bekanntesten für kleinformatige, sehr detaillierte Gemälde von Motiven aus der Natur. Dieses Stillleben veranschaulicht seine akribische Technik und sein Interesse an wissenschaftlicher Beobachtung. Das Gemälde zeigt eine Vielzahl von Blumen, darunter Rosen, Tulpen und eine Iris, arrangiert in einer Glasvase. Die Vase ruht auf einem Steinsockel, der eine stabile Basis für die aufwendige Anordnung bildet. Schmetterlinge und andere Insekten sind über die Komposition verteilt und tragen zum Gefühl des Naturalismus und der Detailtreue bei. Der dunkle Hintergrund kontrastiert mit den leuchtenden Farben der Blumen und erzeugt einen dramatischen Effekt. Van Kessels präziser Pinselstrich erfasst die Texturen und Formen jedes Elements, von den zarten Blütenblättern der Blumen bis zu den durchscheinenden Flügeln der Insekten. Die Komposition spiegelt das Interesse des 17. Jahrhunderts sowohl an wissenschaftlicher Genauigkeit als auch an dekorativer Darstellung wider.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Rosen, Tulpen, eine Iris und andere Blumen, in einer Glasvase auf einem Steinsockel, mit Schmetterlingen und anderen Insekten – Jan van Kessel der Ältere
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jan Van Kessel The Elder
Van Kessel had thirteen children and numerous debts. He was captain of the Civic Guard in Antwerp, a productive artist with royal clients, and still died owing money. The combination of civic standing and insolvency was not unusual for seventeenth-century Flemish painters, but the scale of his family made it harder to manage.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
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Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Jan van Kessel the Elder
Van Kessel had thirteen children and numerous debts. He was captain of the Civic Guard in Antwerp, a productive artist with royal clients, and still died owing money. The combination of civic standing and insolvency was not unusual for seventeenth-century Flemish painters, but the scale of his family made it harder to manage.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
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