Roots - Frida Kahlo
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Beschreibung
A surrealist oil painting by Frida Kahlo depicting the artist reclining on a rocky landscape with vines emerging from her torso.
Painted in 1943, Roots is an oil on metal work that captures the characteristic introspection of Frida Kahlo. The composition features the artist reclining on a barren, rocky terrain. A large, vine-like plant emerges directly from her torso, its branches spreading across the ground and rooting into the earth. This imagery connects the physical body to the soil, suggesting a cycle of life and biological integration.
The palette consists of earthy ochres, browns, and the striking red of the artist's dress. Kahlo's expression is calm, contrasting with the surreal nature of the plant growth. The background is a dry, cracked surface that emphasises the isolation of the figure. By placing the subject in this desolate environment, Kahlo explores themes of identity, fertility, and the connection between human existence and the natural world.
This work reflects the artist's interest in Mexican identity and her personal experiences with physical pain and recovery. The precision of the brushwork and the clarity of the forms are typical of her approach to painting, which often drew upon the traditions of Mexican retablos. The plant structure acts as a central element, bridging the gap between the human form and the surrounding environment. It is a study of endurance and the search for belonging within a harsh setting.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Roots - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
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