Robinson - Oskar Kokoschka
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Beschreibung
A 1913 lithograph by Oskar Kokoschka depicting a solitary figure in a boat, rendered with bold lines and a flattened, expressive perspective.
Oskar Kokoschka created this lithograph, titled Robinson, in 1913. It reflects the artist's early engagement with graphic media and his departure from traditional representational norms. The composition depicts a solitary figure in a small boat, navigating a dense, stylised environment that evokes the isolation of the literary character Robinson Crusoe.
The visual language is defined by a flattened perspective and a deliberate rejection of realistic scale. Kokoschka employs bold, dark outlines to separate the various elements of the scene, from the textured foliage and exotic fauna to the rhythmic patterns of the water. The figure in the boat is rendered with a sense of quiet introspection, contrasting with the busy, almost claustrophobic surroundings.
This work demonstrates the artist's interest in psychological states and subjective experience. By simplifying forms and using a restricted, high-contrast palette, Kokoschka directs the viewer's attention to the emotional weight of the scene rather than its physical accuracy. The inclusion of the artist's initials, OK, in the lower right corner confirms his authorship of this graphic experiment. As a piece of early twentieth-century Austrian art, it provides insight into the period's broader move away from academic constraints towards a more personal, emotive mode of expression. The print remains a clear example of the graphic output that occupied Kokoschka during his time in Vienna and Berlin, where he explored themes of solitude and human vulnerability through a lens of stark, graphic simplification.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Robinson - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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