Premier Disque - Robert Delaunay
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Beschreibung
A seminal work of Orphism, this 1913 painting by Robert Delaunay explores the optical effects of colour through concentric circles.
Premier Disque, painted in 1913, represents a significant moment in the development of early twentieth-century abstraction. Robert Delaunay moved away from representational forms to explore the physical properties of colour and light. By focusing on the circular form, he engaged with the concept of simultaneity, a theory he developed alongside his wife, Sonia Delaunay. The composition consists of concentric rings divided into four quadrants, creating a sense of rotation and movement through the juxtaposition of contrasting hues.
The painting is a primary example of Orphism, a term coined by the poet Guillaume Apollinaire to describe the lyrical, colour-based abstraction emerging from Cubism. Delaunay utilised the scientific theories of Michel Eugène Chevreul regarding the law of simultaneous contrast of colours. By placing complementary colours side by side, he achieved a visual effect where the boundaries between shapes appear to vibrate or shift. This approach prioritised the optical experience of the viewer over the depiction of external reality.
Unlike the rigid, geometric structures found in the works of his contemporaries, Delaunay allowed for a softer, more painterly application of pigment. The circular format, or tondo, reinforces the cosmic or solar associations often attributed to his work during this period. The work functions as an investigation into how pure colour can generate rhythm and space without the need for traditional perspective. It remains a clear demonstration of the artist's interest in the mechanics of human vision and the expressive potential of non-objective art.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Premier Disque - Robert Delaunay
Artist Biography
Robert Delaunay
His groundbreaking series, *Windows*, exemplifies this pursuit. Forget conventional perspective; Delaunay fragmented the canvas into kaleidoscopic shards of colour, creating a sensation of light, movement, and depth. This exploration of simultaneity – the idea that multiple perspectives and sensations could be experienced at once – became a hallmark of his style. Delaunay's *Eiffel Tower* series offers a Cubist-influenced take on the famous landmark, but with a focus on colour and dynamism that sets it apart.
Though he flirted with abstraction, Delaunay never fully abandoned representational elements. His later works, such as *Rhythm No. 1*, demonstrate a masterful synthesis of abstraction and figuration. Delaunay's legacy extends beyond his own artistic output; he profoundly influenced generations of artists who sought to explore the expressive potential of colour and form. His art prints offer a window into a world where colour sings and light dances, enriching any space with their vibrant energy.
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