A detailed engraving by Jonas Suyderhoef depicting the Dutch scholar Anna Maria van Schurman, based on a painting by Jan Lievens.

This engraving by Jonas Suyderhoef depicts Anna Maria van Schurman, a polymath and scholar of the Dutch Golden Age. Suyderhoef, a master of the burin, translates the original painted portrait by Jan Lievens into a monochromatic medium with technical precision. The composition focuses on the subject, who is shown in a three-quarter view, resting her hand upon an open book. This inclusion serves as a visual reference to her intellectual pursuits and her reputation as one of the most learned women of the seventeenth century.

The print demonstrates the characteristic tonal range of Dutch engraving from this period. Suyderhoef employs varied line weights and cross-hatching to define the texture of the fur-trimmed garment and the soft modelling of the subject's face. The background remains relatively plain, which directs the viewer's attention to the sitter's expression and the specific details of her attire, including the pearls in her hair. Below the portrait, the plate includes a Latin inscription, a common feature in formal portrait prints of the era, which provides context regarding the subject's identity and the collaborative nature of the work between the painter and the engraver.

As a fine art print, this piece offers a window into the intersection of art and scholarship in the Netherlands. The clarity of the lines and the balanced composition reflect the disciplined approach of the period's printmakers. It is a study in restraint, capturing the gravity and intellectual presence of van Schurman. The work is representative of the high standard of reproductive printmaking that allowed the likenesses of prominent figures to circulate throughout Europe during the seventeenth century. This museum-grade reproduction preserves the fine details of the original copperplate engraving, offering a clear view of the artist's technical skill.