A detailed etching by Ferdinand Leenhoff, portraying his grandmother, Suzanna Leenhoff-van Anholt, with technical precision and quiet dignity.

This etching by the Dutch sculptor and printmaker Ferdinand Leenhoff depicts his grandmother, Suzanna Leenhoff-van Anholt. The work demonstrates the technical precision characteristic of Leenhoff, who was well-regarded for his ability to capture texture and form through the medium of printmaking. The subject is shown in a seated position, her hands resting calmly in her lap, conveying a sense of quiet dignity.

Leenhoff employs a controlled use of line and cross-hatching to define the contours of the face and the folds of the clothing. The lace trim on the cap and the cuffs of the dress are rendered with particular attention to detail, providing a contrast to the darker, more uniform tones of the garment. The background remains neutral, ensuring the focus stays entirely on the sitter. This portrait reflects the nineteenth-century interest in domestic realism, where family members were frequently chosen as subjects for study.

Ferdinand Leenhoff, who was also the brother-in-law of Édouard Manet, moved within influential artistic circles in Paris and the Netherlands. His work often bridges the gap between traditional academic training and the more personal, observational approaches that gained traction during his career. This print is a fine example of his skill in portraiture, capturing the character of his relative with a direct and honest gaze. The composition is balanced, with the sitter positioned centrally, creating a stable and formal presentation. The print is executed on high-quality paper, preserving the fine tonal gradations achieved by the artist's etching needle.