A formal eighteenth-century engraving by Nicolas Edelinck, depicting Pierre Chéron, Contrôleur de la Maison de la Reine.

This engraving by Nicolas Edelinck depicts Pierre Chéron, who held the position of Contrôleur de la Maison de la Reine. The portrait captures the subject in a formal, three-quarter view, characteristic of eighteenth-century French portraiture. Chéron is shown wearing a voluminous periwig, a staple of the period, and a heavy cloak draped over his shoulders. His expression is composed, conveying a sense of authority and professional standing.

Edelinck, a member of a prominent family of engravers, demonstrates technical precision in his handling of the burin. The texture of the lace cravat and the heavy fabric of the cloak are rendered with careful attention to light and shadow. The background remains dark and relatively plain, which draws the viewer's attention to the facial features and the posture of the sitter. The inscription at the base of the print identifies the subject and his role, noting his death in 1742. This type of portrait was often produced to commemorate individuals of status or to serve as a frontispiece for publications.

The print reflects the conventions of the era, where the sitter's social rank was communicated through attire and pose. The use of cross-hatching and fine lines creates a tonal range that mimics the depth of a painted original. As an example of French engraving, the work provides insight into the visual culture of the mid-eighteenth century. It remains a clear record of the appearance and status of a minor official within the royal household. The composition is balanced, with the hand tucked into the cloak, a gesture that adds a sense of ease to the formal presentation. This piece is a fine example of the craftsmanship associated with the Edelinck workshop, which maintained a reputation for quality throughout the period.