Portrait of Dr. Felix Rey - Vincent van Gogh
Archival Pigmentdruck
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Beschreibung
A striking 1889 portrait of Dr. Felix Rey, the physician who treated Van Gogh in Arles, featuring the artist's signature expressive brushwork and bold colour contrasts.
Painted in January 1889, this portrait depicts Dr. Felix Rey, the physician who treated Vincent van Gogh following the artist's well-documented ear injury in Arles. Van Gogh presented this work to the doctor as a token of gratitude for his care. The composition is notable for its stark contrast between the subject and the background.
Dr. Rey is positioned centrally, rendered with the characteristic thick, rhythmic brushwork associated with Van Gogh's late period. His jacket is painted in deep, saturated blues, applied with vertical strokes that provide a sense of structure. In contrast, the background is a decorative, swirling pattern of green and red, which flattens the pictorial space and pushes the figure forward. The doctor's face is illuminated with yellow and green tones, suggesting the artificial lighting of the interior setting. His expression is calm, reflecting the professional yet personal connection between the artist and his subject.
Van Gogh's use of colour here is non-naturalistic, prioritising emotional resonance and decorative effect over literal representation. The red and green background creates a visual tension that complements the bold, dark outlines of the figure. This work remains a significant example of Van Gogh's portraiture, demonstrating his ability to capture the presence of an individual while maintaining his distinct stylistic approach to form and colour. The painting is currently held in the collection of the Pushkin Museum of Fine Arts in Moscow.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Dr. Felix Rey - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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