Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Nature Morte Aux Fleurs - Maximilien Luce
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
A 1926 still life by Maximilien Luce, featuring chrysanthemums in a rhythmic, textured style that captures the interplay of light and colour.
Maximilien Luce, a painter associated with the Neo-Impressionist movement, produced this still life in 1926. The composition features a collection of chrysanthemums arranged in two distinct vessels. A larger, dark vase holds the primary bouquet, while a smaller container supports a secondary cluster of blooms. Several individual stems lie scattered across the foreground surface, adding a sense of casual arrangement to the scene.
Luce employs a technique characterised by short, rhythmic brushstrokes. This method creates a textured surface that captures the play of light across the petals and the fabric backdrop. The colour palette relies on the contrast between the warm, autumnal tones of the flowers—ranging from deep crimson to pale yellow—and the cool, teal-toned background. The background itself is rendered with vertical, directional strokes that suggest a draped textile, providing a neutral yet active setting for the floral subjects.
While Luce is frequently recognised for his industrial scenes and depictions of the Parisian working class, his still life works demonstrate his technical focus on light and colour theory. By 1926, his style had moved away from the strict pointillist dots of his earlier career toward a more fluid, expressive application of paint. This work reflects his interest in the domestic interior, where he applied the same analytical approach to light that he used in his outdoor subjects. The arrangement avoids rigid symmetry, opting instead for a balanced distribution of colour and form across the canvas. The interplay between the dark, solid forms of the vases and the delicate, fragmented shapes of the flowers creates a visual tension that defines the piece. This print captures the specific impasto and colour relationships of the original oil painting, offering a clear view of Luce's late-career brushwork.
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Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Look vervollständigen
Nature Morte Aux Fleurs - Maximilien Luce
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Maximilien Luce
Maximilien Luce was not only a painter but also a committed anarchist, and his political beliefs often influenced his artistic choices. He depicted working-class life and social unrest, offering a perspective rarely seen within the Pointillist movement. While many of his contemporaries focused on landscapes or bourgeois leisure, Luce turned his attention to factories, construction sites, and scenes of labour, imbuing his works with social commentary.
Luce embraced Pointillism, or Neo-Impressionism, following the lead of Georges Seurat and Paul Signac. This technique involved applying small, distinct dots of colour to the canvas, which then blend in the viewer's eye to create a unified image. Unlike Seurat, who sought a scientific precision, Luce used Pointillism to capture the energy and dynamism of modern life, particularly the industrial world. His paintings demonstrate a fascination with light and colour and an interest in capturing the atmosphere of his subjects.
Today, Luce's art appeals to collectors interested in works that combine aesthetic beauty with social consciousness. His scenes of working-class life offer a window into a specific historical moment, while his Pointillist technique provides visual appeal. His paintings stand out from typical Impressionist subjects, making them attractive to those seeking something different.
Luce embraced Pointillism, or Neo-Impressionism, following the lead of Georges Seurat and Paul Signac. This technique involved applying small, distinct dots of colour to the canvas, which then blend in the viewer's eye to create a unified image. Unlike Seurat, who sought a scientific precision, Luce used Pointillism to capture the energy and dynamism of modern life, particularly the industrial world. His paintings demonstrate a fascination with light and colour and an interest in capturing the atmosphere of his subjects.
Today, Luce's art appeals to collectors interested in works that combine aesthetic beauty with social consciousness. His scenes of working-class life offer a window into a specific historical moment, while his Pointillist technique provides visual appeal. His paintings stand out from typical Impressionist subjects, making them attractive to those seeking something different.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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