A striking figurative work by Dutch artist Fred van der Wal, featuring expressive ink lines and delicate watercolour washes.

Fred van der Wal is a Dutch artist known for his distinctive approach to figurative drawing. This work, titled Moeder en kind, demonstrates his characteristic use of dense, cross-hatched ink lines to construct figures that occupy a space between the grotesque and the vulnerable. The composition features a central female figure, rendered with a heavy, textured application of ink that gives her skin a weathered, almost topographical appearance. She is depicted in a crouched posture, interacting with a smaller, similarly stylised figure.

Van der Wal employs a specific visual vocabulary in this piece. The figures are defined by thin, nervous lines that create a sense of agitation. A cross motif sits atop the mother's head, adding a layer of symbolic weight to the interaction. The use of colour is restrained, with soft washes of pink, blue, and yellow applied to the background and specific details of the clothing. These watercolour elements provide a contrast to the stark, black ink work, softening the overall visual impact while maintaining the focus on the figures.

His practice often involves the exploration of human relationships through distorted anatomy and expressive mark-making. The figures in this drawing possess large, wide-set eyes and exaggerated features, which draw the viewer into an uncomfortable, yet compelling, emotional exchange. The background remains largely empty, ensuring that the focus stays on the physical connection between the two subjects. This print captures the raw, immediate quality of the original drawing, preserving the delicate balance between the ink density and the translucent watercolour washes. It is a representative example of the artist's ability to convey complex psychological states through a highly personal and recognisable visual language.