Metamorphosis insectorum Surinamensium, Plate XLV - Maria Sibylla Merian
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Beschreibung
A detailed botanical and entomological study from Maria Sibylla Merian's 1705 publication, documenting the life cycle of a moth on a peacock flower.
This print originates from Maria Sibylla Merian's seminal work, Metamorphosis insectorum Surinamensium, published in 1705. Merian, a naturalist and scientific illustrator, travelled to the Dutch colony of Suriname in 1699 to document the life cycles of insects in their natural environment. This expedition was unusual for a woman of her era, and the resulting publication provided a new level of scientific accuracy to the study of entomology.
Plate XLV depicts the life cycle of a moth alongside the Caesalpinia pulcherrima, commonly known as the peacock flower. Merian captures the specimen in various stages of development: the caterpillar, the pupa, and the adult moth. Her approach differs from the static, isolated specimens typical of contemporary scientific catalogues. Instead, she presents the insect in direct relation to its host plant, documenting the ecological connection between the two. The composition is balanced, with the vertical stem of the plant providing a structure for the surrounding biological elements.
The hand-coloured engraving demonstrates Merian's technical precision. The fine lines of the etching define the structure of the leaves and the delicate wings of the moth, while the application of colour provides a clear, descriptive record of the species. Her work bridges the gap between artistic observation and scientific inquiry. By focusing on the process of metamorphosis, she moved beyond simple classification to show the biological activity of the subjects. This print remains a primary example of early modern natural history illustration, reflecting the curiosity and systematic observation that defined Merian's career.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Metamorphosis insectorum Surinamensium, Plate XLV - Maria Sibylla Merian
Artist Biography
Maria Sibylla Merian
Merian's artistic approach combined scientific accuracy with aesthetic appeal. Her detailed watercolours and engravings depicted insects alongside their host plants, creating visually arresting compositions. She meticulously documented the stages of insect development, from egg to larva to pupa to adult, providing valuable insights into entomology. Her magnum opus, *Metamorphosis insectorum Surinamensium*, showcased the biodiversity of Suriname and challenged prevailing scientific views.
Today, Merian's work appeals to collectors who appreciate the intersection of art and science. Her prints offer a glimpse into a world of natural wonders, rendered with precision and artistry. Her images possess both historical and aesthetic value, making them a striking addition to any collection. They are a reminder of the beauty and complexity of the natural world, as seen through the eyes of a remarkable woman.
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