Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Mephistopheles besucht Faust - Eugène Delacroix
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
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Beschreibung
Eine dramatische Lithografie von Eugène Delacroix aus seiner Serie von 1828, die Goethes Faust illustriert und die spannungsgeladene Begegnung zwischen dem Gelehrten und dem Teufel festhält.
Diese Lithografie gehört zu einer Reihe von siebzehn Platten, die Eugène Delacroix für die französische Übersetzung von Johann Wolfgang von Goethes Faust schuf. Das 1828 veröffentlichte Projekt erntete die Bewunderung Goethes selbst, der die Fähigkeit des Künstlers lobte, die dunkle, atmosphärische Spannung seiner Erzählung einzufangen. Die Szene zeigt den Moment, in dem Mephistopheles in der Studierstube des Gelehrten erscheint und Fausts einsame Forschung unterbricht. Delacroix verwendet eine dramatische Chiaroscuro-Technik, um den Raum zu definieren. Die Lichtquelle scheint von der Interaktion zwischen den beiden Figuren auszugehen und wirft tiefe Schatten über den unaufgeräumten Raum. Der Hintergrund ist gefüllt mit den Utensilien eines Alchemisten: Schädel, Globen und Stapel schwerer Bände. Diese Objekte sind mit lockeren, energischen Strichen dargestellt, die ein Gefühl von Unordnung und intellektueller Erschöpfung vermitteln. Faust sitzt an seinem Schreibtisch, seine Körperhaltung drückt Überraschung und Zögern aus. Ihm gegenüber steht Mephistopheles mit einer selbstbewussten, fast spöttischen Miene, seine Hand ruht auf dem Griff seines Schwertes. Die Komposition beruht auf dem Kontrast zwischen der gekrümmten, akademischen Gestalt des Gelehrten und der aufrechten, räuberischen Silhouette des Besuchers. Delacroix nutzt das lithografische Medium, um eine Reihe von Grautönen zu erzielen, von den dichten Schwärzen der Schatten bis zum weichen, dunstigen Licht, das die Seiten des offenen Buches beleuchtet. Dieser Druck zeigt das Interesse des Künstlers an psychologischem Drama und dem Makabren, Themen, die einen Großteil seiner frühen Karriere beschäftigten. Die Einbeziehung des französischen Originaltextes am unteren Rand der Platte stellt die Verbindung zum literarischen Ausgangsmaterial her und verankert die visuelle Erzählung im spezifischen Dialog des Stücks.
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Mephistopheles besucht Faust - Eugène Delacroix
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Eugene Delacroix
Delacroix painted Liberty leading the people over a barricade of corpses and gave Romanticism its defining image. Liberty Leading the People (1830) shows a bare-breasted woman holding the tricolour, striding over the dead, accompanied by a boy with pistols. It commemorates the July Revolution. Delacroix included himself in the painting, wearing a top hat and carrying a rifle. Whether he actually fought on the barricades is unlikely but characteristic.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
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Damit Ihr Kunstwerk optimal aussieht:
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- An einem trockenen Ort bei Raumtemperatur aufbewahren
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Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
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From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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Biografie des Künstlers
Eugène Delacroix
Delacroix painted Liberty leading the people over a barricade of corpses and gave Romanticism its defining image. Liberty Leading the People (1830) shows a bare-breasted woman holding the tricolour, striding over the dead, accompanied by a boy with pistols. It commemorates the July Revolution. Delacroix included himself in the painting, wearing a top hat and carrying a rifle. Whether he actually fought on the barricades is unlikely but characteristic.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
He was born in Charenton-Saint-Maurice, near Paris. His legal father was a diplomat. His biological father may have been Talleyrand, the foreign minister, which would explain several things about his career including his early access to government commissions. He studied at the Ecole des Beaux-Arts under Pierre-Narcisse Guerin and was influenced by Gericault's The Raft of the Medusa, which showed him that contemporary events could be painted at the scale previously reserved for mythology.
His brushwork was loose and fast by the standards of the Academy. He preferred colour to line, which put him in direct opposition to Ingres, the master of precise contour. The rivalry between Delacroix and Ingres, colour versus drawing, became the central argument of French painting in the mid-nineteenth century. Delacroix won in the long run: the Impressionists claimed him, the Fauves revered him, and Cezanne called him the starting point of modern painting.
He travelled to Morocco in 1832 and came back with notebooks full of colour studies that influenced the rest of his career. The North African light loosened his palette permanently. He died in 1863, at sixty-five, and left a journal that is one of the most intelligent accounts of painting ever written.
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