Looking as if somebody is about to arrive - Tsukioka Yoshitoshi
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A woodblock print from the series 'Thirty-two Aspects of Customs and Manners' by Tsukioka Yoshitoshi, depicting a fireman's wife in the Kaei era.
This woodblock print is part of the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuniso), produced by Tsukioka Yoshitoshi in 1888. The series examines the changing social conditions and fashion trends of Japanese women across different historical eras. This specific image depicts a fireman's wife from the Kaei era (1848-1854), a period preceding the Meiji Restoration.
The subject is rendered with the characteristic precision of Yoshitoshi, who was one of the final masters of the ukiyo-e tradition. She is shown in a moment of quiet anticipation, her gaze directed away from the viewer as if she hears an approaching visitor. Her attire, a checked kimono, is rendered with clean lines, while the background features a bold, graphic representation of a fireman's standard or coat, providing a strong visual contrast to the figure. The colour palette is restrained, relying on muted tones for the clothing and background, punctuated by the deep red of the fireman's emblem and the subtle blue of her collar.
Yoshitoshi was known for his psychological depth and his ability to capture fleeting expressions. In this work, the artist avoids overly decorative flourishes, focusing instead on the posture and the specific historical markers of the subject's dress. The print demonstrates the technical skill involved in Meiji-period woodblock production, where the registration of colour blocks and the quality of the line work remained high despite the increasing influence of Western artistic techniques. The composition is balanced, with the figure positioned to draw the eye towards her expression, while the surrounding elements provide context regarding her social status and the era she represents.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Looking as if somebody is about to arrive - Tsukioka Yoshitoshi
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen

