Lenin Tribune - El Lissitzky
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Beschreibung
A seminal Constructivist design by El Lissitzky, featuring a conceptual speaker's platform and photomontage elements.
The Lenin Tribune, created by El Lissitzky in 1920, represents a synthesis of architectural theory and political iconography. This work depicts a conceptual speaker's platform, designed to facilitate public address. The structure features a diagonal steel frame that supports cantilevered platforms, with a prominent sign bearing the Cyrillic text for 'proletarians' positioned at the apex. The figure of Vladimir Lenin is shown leaning from the upper platform, integrated into the geometric composition through photomontage techniques.
Lissitzky, a central figure in the Russian Constructivist movement, sought to merge art with industrial production and social utility. The design rejects traditional ornamentation in favour of functional, geometric forms that reflect the technological optimism of the early Soviet period. The diagonal orientation of the structure creates a sense of kinetic energy, suggesting movement and progress. The use of negative space around the structure emphasises its skeletal, engineering-led aesthetic.
This piece functions as a study for a larger, unrealised architectural project. It demonstrates the artist's interest in the relationship between the human figure and the built environment. By placing the leader at the top of a stark, industrial apparatus, the work comments on the role of the individual within a collective, mechanised society. The muted colour palette and precise, linear draughtsmanship reflect the influence of Suprematism, which Lissitzky adapted to serve the practical goals of Constructivist design. The work remains a significant example of early twentieth-century avant-garde graphic design, illustrating how artists of the period utilised new media to communicate ideological concepts through architectural form.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lenin Tribune - El Lissitzky
Artist Biography
El Lissitzky
He was born Lazar Markovich Lissitzky in 1890. After returning to Russia, he worked alongside Malevich at the UNOVIS art school in Vitebsk, where Suprematism and the revolution were supposed to be the same thing. He became one of the most influential graphic designers of the twentieth century, his poster designs, book layouts, and exhibition installations connecting Russian avant-garde art to the Bauhaus and De Stijl in western Europe.
He contracted pulmonary tuberculosis and continued working as a book artist and photomonteur because he could do it lying down. His sister Jenta committed suicide in Vitebsk in 1925 while he was hospitalised in Switzerland. He married Sophie Kuppers, a German woman whose family disapproved of the match; she had to leave her sons behind to move to Moscow. He died in Moscow in 1941, the year Germany invaded Russia.
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