Landscape with Two Large Trees and Houses - Alfred Wallis
Archival Pigmentdruck
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Beschreibung
A striking example of Alfred Wallis's naïve style, featuring two dominant trees framing a pair of houses on a raw cardboard ground.
Alfred Wallis, a Cornish fisherman turned painter, produced this work during his later years in St Ives. Wallis began painting in his seventies, often using scavenged materials such as cardboard boxes and discarded scraps of paper. His lack of formal training resulted in a distinct visual language, characterised by a rejection of traditional perspective and a focus on the essential forms of his subjects.
In this composition, two imposing, dark tree trunks dominate the foreground. They act as a frame for the domestic structures situated behind them. The houses are rendered with simple geometric shapes, reflecting the artist's direct approach to his surroundings. Wallis frequently used a limited palette, often dictated by the materials he had available. Here, the raw, tan surface of the cardboard serves as the ground, providing a neutral tone that contrasts with the heavy, dark application of paint used for the trees.
The work displays the characteristic features of Wallis's output, including the use of pencil outlines to define shapes before filling them with paint. His signature, often placed prominently, appears at the top of the piece. The arrangement is flattened, prioritising the relationship between objects over spatial depth. This approach creates a sense of immediacy and honesty, qualities that attracted the attention of Ben Nicholson and Christopher Wood when they discovered his work in 1928.
Wallis's paintings are not concerned with technical precision or academic rules. Instead, they offer a personal record of the environment he knew. The repetition of forms and the stark contrast between the dark trees and the lighter background elements create a rhythmic quality. This print captures the texture of the original cardboard support, allowing the viewer to appreciate the tactile nature of his process.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape with Two Large Trees and Houses - Alfred Wallis
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