Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Landschaft mit Hirten, nahe der Villa Madama, Rom – Roger Fry
Regulärer Preis
£37.00 GBP
Angebotspreis
£37.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
Eine pastorale Szene des britischen Künstlers Roger Fry, "Landscape with Shepherd, near Villa Madama, Rome", fängt das Licht und die Atmosphäre der römischen Landschaft in einem post-impressionistischen Stil ein.
Roger Fry (1866-1934) war ein britischer Künstler und Kritiker, der als Förderer der modernen Kunst großen Einfluss hatte. Er war Mitglied der Bloomsbury Group und ist bekannt dafür, den Post-Impressionismus in Großbritannien eingeführt zu haben. Frys künstlerisches Schaffen umfasste Gemälde, Zeichnungen und Entwürfe, die oft durch ein Interesse an Form und Farbe gekennzeichnet waren. Seine theoretischen Schriften und Ausstellungen hatten einen erheblichen Einfluss auf die Rezeption der modernen Kunst in England. "Landscape with Shepherd, near Villa Madama, Rome" ist ein Beispiel für Frys post-impressionistischen Stil. Das Gemälde zeigt eine pastorale Szene mit einem Hirten und einer Herde in der Nähe eines Gewässers, möglicherweise des Tibers. Die Villa Madama, eine Renaissance-Villa, ist im Hintergrund sichtbar. Die Komposition verwendet eine gedämpfte Farbpalette aus Grün-, Braun- und Blautönen, die eine ruhige Atmosphäre schafft. Frys Pinselstrich ist locker und ausdrucksstark und fängt das Licht und die Atmosphäre der römischen Landschaft ein. Die Szene ist mit einem Fokus auf das Zusammenspiel von Licht und Schatten dargestellt, typisch für post-impressionistische Techniken.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Look vervollständigen
Landschaft mit Hirten, nahe der Villa Madama, Rom – Roger Fry
Regulärer Preis
Ab £37.00 GBP
Angebotspreis
Ab £37.00 GBP
Regulärer Preis
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
Unsere Funktionen
Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Biografie des Künstlers
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
Das könnte Ihnen auch gefallen