Landscape near Martigues - André Derain
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A 1907 oil painting by André Derain, capturing the Mediterranean terrain near Martigues through simplified geometric forms and a warm, earthy palette.
André Derain painted this view near Martigues in 1907, a period when his work moved away from the extreme colour experiments of his earlier Fauvist years toward a more structured, geometric approach. The composition displays a clear debt to the influence of Paul Cézanne, whose retrospective in Paris in 1907 profoundly affected many artists of the time.
In this work, the scene is organised into distinct, simplified planes. The foreground path leads the eye into the composition, flanked by steep, earthen-toned banks that frame the view. The middle ground is dominated by dark, vertical forms representing cypress trees, which act as a screen against the distant, lighter blue horizon. Derain uses a palette of ochre, burnt orange, and deep forest green to define the terrain. The application of paint is deliberate and controlled, moving away from the spontaneous, broken brushwork of his 1905-1906 period in Collioure.
Instead of attempting to capture the fleeting effects of light, Derain focuses on the physical mass and volume of the terrain. The trees are rendered as solid, dark silhouettes, while the ground is treated as a series of interlocking shapes. This shift toward a more analytical method of painting signals the transition in early twentieth-century art from the emotional intensity of Fauvism to the structural investigations that would eventually lead to Cubism. The painting remains a clear example of the artist's ability to reduce a complex natural scene into its essential geometric components, prioritising the internal logic of the canvas over a literal transcription of the Mediterranean environment.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape near Martigues - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen