Knight Errant (Self-Portrait) - Oskar Kokoschka
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Beschreibung
A psychological self-portrait by Oskar Kokoschka, depicting the artist in armour amidst a turbulent, dreamlike environment.
Oskar Kokoschka painted Knight Errant (Self-Portrait) in 1915, a period defined by his service in the First World War and his recovery from severe injuries. The work depicts the artist in full armour, lying in a desolate, turbulent environment. His posture is one of vulnerability rather than martial strength, with arms outstretched in a gesture of resignation or supplication. The heavy, metallic sheen of the armour contrasts with the raw, agitated brushwork that defines the surrounding terrain.
In the background, a small figure appears to fly or drift, adding a surreal, dreamlike quality to the composition. The sky is dark and oppressive, filled with swirling, moody clouds that mirror the internal state of the subject. A small creature, possibly a sphinx or a lion, rests on the rocks to the right, further complicating the narrative. The palette is dominated by deep blues, greys, and earthy browns, punctuated by the cold, reflective surfaces of the metal plates.
This painting is a significant example of Kokoschka's psychological approach to portraiture. He uses the figure of the knight as a vehicle for self-reflection, moving away from traditional representation to explore themes of isolation and existential struggle. The application of paint is thick and gestural, typical of his mature Expressionist style. The composition lacks a clear horizon, creating a sense of disorientation that draws the viewer into the artist's subjective experience. By adopting the guise of a knight, Kokoschka engages with historical archetypes while subverting them to convey the trauma of his own time.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Knight Errant (Self-Portrait) - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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