Green Summer - Edward Burne-Jones
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Beschreibung
A serene 1864 watercolour by Edward Burne-Jones, depicting a group of women in a quiet, verdant setting.
Green Summer, completed in 1864, is a characteristic work by Edward Burne-Jones, a figure associated with the later phase of the Pre-Raphaelite movement. The composition depicts a group of eight women seated together in a verdant, enclosed space. They are dressed in flowing, medieval-style robes, their postures relaxed and contemplative. The figures are arranged in a semi-circle, creating a sense of quiet intimacy and shared stillness. The colour palette is dominated by various shades of green, which unify the figures with the surrounding foliage, suggesting a dreamlike or timeless atmosphere.
Burne-Jones often drew inspiration from Arthurian legend and classical mythology, yet this specific work avoids a clear narrative. Instead, it focuses on mood and the decorative arrangement of form. The figures exhibit the elongated proportions and melancholic expressions that became hallmarks of his mature style. The lack of a specific action or interaction between the women invites the viewer to observe the scene as a static, poetic moment rather than a dramatic event. The application of watercolour and gouache allows for a soft, matte finish, which complements the ethereal quality of the subject matter. This piece reflects the artist's interest in creating an aesthetic experience that prioritises harmony and visual rhythm over realism. The figures appear almost as extensions of the natural environment, their garments echoing the folds and shadows of the trees behind them. It is a work that captures the specific Pre-Raphaelite interest in escapism and the idealisation of a romanticised past, presented through a lens of careful, deliberate composition.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Green Summer - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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