Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
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A detailed topographical etching depicting the ruins of Huis ter Aa near Breukelen, capturing the architectural decay following the events of 1672.
This etching depicts the ruins of Huis ter Aa, a site located near the Dutch village of Breukelen. The work captures the structure in a state of decay, reflecting the historical reality of the building following the French invasion of the Netherlands in 1672. The composition focuses on the skeletal remains of the masonry, set against a wide, open sky. A small figure accompanied by a dog stands in the foreground, providing a sense of scale to the ruined architecture.
Jacob van Royen was a Dutch draughtsman and printmaker active during the late seventeenth and early eighteenth centuries. His work often documented the topography of the Dutch Republic, providing a visual record of buildings and sites that were subject to the ravages of time or conflict. The etching technique employed here relies on precise, controlled lines to define the textures of the stone and the atmospheric quality of the clouds. The inclusion of the title 't Huis ter Aa at the base of the image identifies the subject clearly for the viewer.
This print is a characteristic example of the topographical documentation popular in the Netherlands during this period. It serves as a historical record of the site, capturing the melancholy of the ruins. The print is presented on a larger sheet, which includes handwritten annotations in Dutch, typical of archival collections from the era. These notes provide additional context regarding the history of the house and its destruction. The work offers a glimpse into the Dutch interest in local history and the preservation of regional identity through the medium of printmaking. It is a quiet, observational piece that invites the viewer to consider the passage of time and the fragility of man-made structures.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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