Georgiana Burne-Jones and their children, Margaret and Philip - Edward Burne-Jones
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Beschreibung
A portrait of Georgiana Burne-Jones with her children, Margaret and Philip, captured in a quiet, domestic setting by Edward Burne-Jones.
This portrait by Edward Burne-Jones depicts his wife, Georgiana, in the foreground, while their children, Margaret and Philip, appear in a secondary space behind her. The composition employs a distinct spatial separation, placing Georgiana in a dark, shadowed area while the children occupy a lighter, recessed room. Georgiana holds an open book, her gaze directed towards the viewer with a calm, steady expression. Her dark dress contrasts with the lighter tones of the background figures.
Burne-Jones, a central figure in the later Pre-Raphaelite circle, often infused his portraits with a sense of quiet introspection. The painting reflects the domestic life of the artist, capturing his family within the confines of their home. The treatment of light and shadow creates a sense of depth, drawing the eye from the primary subject to the smaller figures in the distance. The inclusion of the book and the botanical illustrations within it suggests a quiet, intellectual atmosphere. The work demonstrates the artist's attention to detail and his ability to construct a narrative through spatial arrangement rather than overt action. The muted colour palette and the controlled application of paint are characteristic of his approach to portraiture during this period, focusing on the psychological presence of the sitters rather than decorative excess.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Georgiana Burne-Jones and their children, Margaret and Philip - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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