Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
George Brydges Rodney, Admiral of the White - Thomas Gainsborough
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
A portrait of Admiral George Brydges Rodney by Thomas Gainsborough, capturing the naval commander with fluid brushwork and atmospheric detail.
Thomas Gainsborough painted this portrait of Admiral George Brydges Rodney around 1782, following the naval commander's success at the Battle of the Saintes. The work displays the characteristic fluid brushwork that defined Gainsborough's later career, moving away from the rigid formality often associated with eighteenth-century naval portraiture.
Rodney stands in a three-quarter pose, his right arm extended as if directing naval manoeuvres. He wears the uniform of an Admiral of the White, complete with the sash and star of the Order of the Bath. The background incorporates elements of a ship's deck, including rigging and a large sail bearing the fleur-de-lis, which serves as a reference to the French vessels captured during his campaigns. The sky behind him is turbulent, suggesting the atmospheric conditions of a maritime engagement.
Gainsborough employs a palette dominated by cool blues, soft whites, and muted earth tones, allowing the red sash to provide a necessary visual anchor. The light falls across the subject's face and waistcoat, drawing the viewer's attention to the Admiral's expression of calm authority. Unlike many contemporary portraits that rely on heavy, static poses, this composition possesses a sense of movement. The fabric of the sail and the billowing clouds are rendered with loose, feathery strokes, a technique that Gainsborough refined throughout his time in Bath and London.
This portrait captures the intersection of military achievement and the social status of the British naval elite during the late Georgian period. It remains a representative example of how Gainsborough balanced the requirements of formal portraiture with his own interest in painterly texture and atmospheric effects. The work is currently held in the collection of the Royal Collection Trust, reflecting its historical association with the British monarchy and the naval history of the era.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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George Brydges Rodney, Admiral of the White - Thomas Gainsborough
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Thomas Gainsborough
Gainsborough composed landscape scenes by building tabletop models from broccoli and cauliflower for trees, lumps of coal for hills, and mirrors for water. He painted from these arrangements in his studio. He said he was sick of portraits and wished he could walk off with his viol-da-gamba to paint landscapes. Portraits paid the bills. Landscapes were what he loved.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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