Fear and Hope - Oskar Kokoschka
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Beschreibung
A raw, expressive lithograph by Oskar Kokoschka, capturing the psychological tension and existential themes of post-war Europe through energetic, gestural lines.
This lithograph by Oskar Kokoschka, titled Fear and Hope, originates from the period following the First World War. Kokoschka, a central figure in the Austrian Expressionist movement, frequently utilised his art to examine the psychological state of post-war Europe. The work displays his characteristic graphic style, defined by nervous, energetic lines and a rejection of traditional academic finish.
The composition features two figures positioned beneath a jagged, mountainous form. The lines are raw and immediate, conveying a sense of agitation rather than precise anatomical accuracy. The figures appear huddled, their postures suggesting vulnerability or perhaps a shared burden. The surrounding environment is rendered with minimal detail, focusing the viewer on the emotional interaction between the subjects. The stark contrast between the dark, heavy strokes of the figures and the lighter, more ethereal mountain backdrop creates a sense of spatial tension.
Kokoschka often drew upon his own experiences and anxieties, and this piece reflects the broader existential concerns of his generation. The title itself suggests a duality of human emotion, a theme he explored throughout his career in both his paintings and his graphic works. By stripping away unnecessary detail, he forces a direct engagement with the psychological weight of the scene. This print is a clear example of his ability to communicate complex internal states through simple, gestural mark-making. It remains a representative piece of early twentieth-century European graphic art, capturing the unease of a society in transition.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fear and Hope - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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