Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Reiterbildnis von Cornelis und Michiel Pompe van Meerdervoort mit ihrem Lehrer und Kutscher - Aelbert Cuyp
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
Ein großformatiges Reiterporträt von Aelbert Cuyp, das zwei Brüder mit ihrem Hauslehrer und Kutscher in einer klassischen holländischen Umgebung darstellt.
Aelbert Cuyp, ein Meister des Goldenen Zeitalters der Niederlande, schuf dieses großformatige Reiterporträt Mitte des 17. Jahrhunderts. Das Werk zeigt zwei junge Brüder, Cornelis und Michiel Pompe van Meerdervoort, zu Pferd, begleitet von ihrem Hauslehrer und einem Kutscher. Die Komposition ist vor einer typisch holländischen Flusslandschaft angesiedelt, mit einem fernen Schloss und einer Jagdszene im Mittelgrund, die ein Gefühl von Maßstab und Atmosphäre vermittelt. Cuyp demonstriert seine technische Fertigkeit im Umgang mit Licht und Textur. Das goldene, warme Glühen, das für seine spätere Periode charakteristisch ist, beleuchtet die Figuren und wirft weiche Schatten über den Vordergrund. Die Pferde sind mit anatomischer Präzision dargestellt, ihre Felle reflektieren das Licht in verschiedenen Brauntönen, Schwarz und Schimmelgrau. Die Kleidung der Personen, insbesondere die roten und blauen Jacken der jungen Brüder, bildet einen bewussten chromatischen Kontrast zu den gedämpfteren Tönen der Umgebung. Die Einbeziehung von Jagdhunden im Vordergrund verankert die Figuren im Raum, während der Hauslehrer, leicht hinter den Jungen positioniert, in die Ferne weist und so den Blick des Betrachters durch die Komposition lenkt. Dieses Gemälde dient als Darstellung von Status und aristokratischer Freizeit. Die Familie Pompe van Meerdervoort, eine prominente Dordrecht-Linie, beauftragte solche Werke, um ihren sozialen Stand zu demonstrieren. Cuyp verbindet die Porträtmalerei mit seinem Interesse an atmosphärischen Effekten und schafft so ein Gleichgewicht zwischen den spezifischen Ähnlichkeiten der Dargestellten und der breiteren, weitläufigen Natur der holländischen Landschaft. Das Werk bleibt ein primäres Beispiel dafür, wie holländische Künstler der Zeit Porträtmalerei mit Genreelementen kombinierten, um eine Erzählung von Privilegien und Outdoor-Aktivitäten zu schaffen.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Look vervollständigen
Reiterbildnis von Cornelis und Michiel Pompe van Meerdervoort mit ihrem Lehrer und Kutscher - Aelbert Cuyp
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
Unsere Funktionen
Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Biografie des Künstlers
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
Das könnte Ihnen auch gefallen