Conte Verona - Oskar Kokoschka
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Beschreibung
A raw, psychologically charged portrait by Oskar Kokoschka, featuring heavy impasto and an intense, moody colour palette.
Painted in 1910, this portrait of Conte Verona captures the psychological intensity characteristic of Oskar Kokoschka's early Viennese period. The artist employs a raw, agitated application of paint, focusing on the subject's internal state rather than a conventional physical likeness. The brushwork is heavy and gestural, creating a surface that feels tactile and immediate. Kokoschka uses a palette dominated by ochre, burnt sienna, and deep shadows to construct a sense of unease. The figure emerges from a murky, atmospheric background, his features distorted by the artist's subjective interpretation of his character.
This work belongs to a series of portraits from the years preceding the First World War, during which Kokoschka gained a reputation for his ability to expose the nervous tension of his sitters. The elongated proportions and the weary, hollowed eyes of the Conte suggest a fragility that contrasts with the aggressive, thick impasto of the jacket and surroundings. The composition is tight, forcing the viewer to confront the subject directly. There is no attempt to smooth over the rough textures or the jarring colour transitions. Instead, the painting relies on these elements to convey a sense of existential anxiety. By stripping away academic polish, Kokoschka presents a raw human document that remains one of the most striking examples of early twentieth-century Austrian Expressionism.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Conte Verona - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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