Composition (White, Black, Blue and Red on White) - Jackson Pollock
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Beschreibung
A 1948 work by Jackson Pollock, demonstrating his signature drip technique through a complex, all-over arrangement of white, black, blue, and red paint.
Jackson Pollock created this work in 1948, a period during which he refined his signature drip technique. By placing the canvas on the floor, he moved around the perimeter, applying paint through pouring, dripping, and flicking motions. This method removed the traditional reliance on the easel and the brush, allowing for a direct physical engagement with the materials. The resulting surface is a dense web of lines that lacks a single point of focus, encouraging the viewer to scan the entire field of the canvas.
The palette is restricted to white, black, blue, and red, which creates a rhythmic interplay across the surface. The white ground acts as a unifying base, while the darker, linear elements provide a sense of movement and energy. Pollock used household enamel paints alongside traditional oil paints, which allowed for varying viscosities and drying times. This choice of medium contributes to the physical texture of the work, where layers of paint overlap to create a sense of depth without traditional perspective.
This piece belongs to the period of Pollock's career often associated with the development of the all-over composition. By distributing visual interest evenly across the entire surface, he rejected the hierarchical structure of European painting. The work functions as a record of the artist's physical movements, capturing the speed and force of his gestures. It remains a primary example of the shift toward non-representational art in the mid-twentieth century, where the act of painting itself becomes the subject matter.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Composition (White, Black, Blue and Red on White) - Jackson Pollock
Artist Biography
Jackson Pollock
He drank heavily from his teens onwards. He was in and out of psychiatric treatment, tried Jungian analysis, and spent time working for the WPA Federal Art Project during the Depression. The early paintings are dark, tangled, influenced by Picasso and by the Mexican muralists Orozco and Siqueiros, whose experimental techniques (including pouring paint) Pollock encountered in a workshop.
The drip paintings started in 1947. He laid canvas on the floor of his barn in Springs, Long Island, and poured household enamel paint from tins, flicking and dripping it with sticks, trowels, and hardened brushes. He moved around the canvas, working from all four sides. No easel, no brushes touching surface, no predetermined composition. 'I am nature,' he told an interviewer, which sounds grandiose but describes the method accurately: the paintings record physical movement through space.
The drip period lasted roughly four years. By 1951 he had largely stopped, returning to figurative work that nobody wanted. His marriage to the painter Lee Krasner deteriorated alongside the drinking. He died in a car crash in 1956, at forty-four, drunk at the wheel. Krasner spent the next three decades managing his legacy and making her own paintings, which were excellent and consistently overlooked.
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