Coconuts - Frida Kahlo
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A 1951 still life by Frida Kahlo, featuring tropical fruits and a weeping coconut, rendered with characteristic emotional depth and precise texture.
Painted in 1951, Coconuts is a late-career still life by the Mexican artist Frida Kahlo. The composition features a selection of tropical fruits, including sliced watermelon and coconuts, arranged against a dark, muted background. Kahlo employs a precise, almost clinical approach to the textures of the fruit, contrasting the fibrous, hairy exterior of the coconuts with the wet, glistening flesh of the watermelon slices.
One of the coconuts is anthropomorphised, featuring carved facial features that appear to weep. This inclusion of human-like traits within a traditional still life format is characteristic of Kahlo's practice, where inanimate objects often carry emotional weight or autobiographical references. The work reflects her interest in Mexican identity and the natural bounty of her home, La Casa Azul.
The palette is dominated by earthy browns, deep greens, and the stark, saturated red of the watermelon. The lighting is direct, casting minimal shadows and creating a sense of flatness that aligns with the folk art traditions Kahlo admired. Unlike her more complex, multi-layered self-portraits, this piece focuses on the physical reality of the objects, yet it remains imbued with the melancholy that permeated her final years. The brushwork is controlled, allowing for the fine detail of the coconut fibres and the seeds within the fruit to be clearly defined. This print captures the specific tonal range of the original oil on masonite, maintaining the integrity of the artist's colour choices and the sombre atmosphere of the composition.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Coconuts - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen