Clock with Blue Wing - Marc Chagall
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Beschreibung
A dreamlike 1949 composition by Marc Chagall, featuring a grandfather clock adorned with a large blue wing against a snowy village backdrop.
Marc Chagall painted Clock with Blue Wing in 1949, a period when his work frequently returned to the imagery of his childhood in Vitebsk. The composition centres on a tall, grandfather clock, which acts as a vertical axis for the dreamlike scene. A large, luminous blue wing emerges from the side of the clock, suggesting a transformation of the mundane object into a vessel for memory or flight. The clock face remains visible, yet the surrounding environment dissolves into a snowy, nocturnal village setting.
Chagall employs a personal iconography that blends reality with fantasy. The presence of the clock, often a symbol of mortality or the passage of time, is softened by the ethereal blue wing and the inclusion of a small bouquet of flowers in the lower right corner. These elements create a tension between the rigid structure of the timepiece and the fluid, imaginative world that surrounds it. The colour palette relies on deep blues, blacks, and contrasting warm yellows, which illuminate the clock and the distant, indistinct figures.
This work reflects the artist's approach to narrative, where objects from his past are reassembled to evoke emotional states rather than literal depictions. The application of paint is textured and layered, giving the surface a tactile quality that enhances the atmospheric depth of the night sky. By placing the clock within a winter scene, Chagall connects the domestic interior with the vastness of the exterior world. The painting invites the viewer to consider the subjective nature of time, where a single object can carry the weight of personal history and the lightness of a dream. It is a characteristic example of his ability to weave disparate elements into a cohesive, poetic vision.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Clock with Blue Wing - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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