Ciurana, the Path - Joan Miró
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Beschreibung
An early work by Joan Miró, this 1917 painting captures the Catalan village of Ciurana through a lens of bold colour and rhythmic, simplified forms.
Painted in 1917, Ciurana, the Path belongs to the early period of Joan Miró, during which he engaged with the visual language of Fauvism and Post-Impressionism. The work depicts the terrain surrounding the village of Ciurana in Catalonia, a location that provided the artist with a subject for his exploration of colour and form. Miró applies paint in bold, non-naturalistic hues, prioritising the expressive potential of the palette over a literal representation of the Spanish countryside.
The composition is defined by rhythmic, undulating lines that trace the contours of the hills and the winding trajectory of the path. A bright yellow ribbon of colour cuts through the foreground, guiding the eye across the canvas. Miró employs a flattened perspective, where the forms of trees and slopes are simplified into decorative shapes. The sky is rendered in a deep, saturated blue, providing a stark contrast to the warmer tones of the earth and vegetation below. Small, distinct red dots are scattered across the lower section, adding a point of visual interest that breaks the larger masses of green and yellow.
This piece reflects the influence of the avant-garde movements active in Europe at the time, particularly the work of Henri Matisse and Vincent van Gogh. Miró uses colour to construct space rather than relying on traditional shading or linear perspective. The application of paint is deliberate, with clear outlines separating the various zones of the composition. This early work demonstrates the artist's developing interest in the relationship between the physical world and the subjective experience of the viewer, a theme that would continue to occupy his practice throughout his career.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ciurana, the Path - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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