Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Christ crowned with thorns - Horace Pippin
Regulärer Preis
£37.00 GBP
Angebotspreis
£37.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
„Christus mit Dornenkrone“ von Horace Pippin ist eine ergreifende Darstellung des Leidens Christi und in einem vereinfachten, ausdrucksstarken Stil gehalten. Die gedämpften Farben und die direkte Komposition des Gemäldes vermitteln ein Gefühl von Empathie und spiritueller Kontemplation.
Horace Pippin (1888-1946) war ein amerikanischer autodidaktischer Künstler, der für seine Darstellungen von Krieg, historischen Ereignissen und Szenen aus seinem Leben und der Bibel bekannt war. Pippin begann ernsthaft zu malen, nachdem er im Ersten Weltkrieg verwundet worden war, und entwickelte einen unverwechselbaren Stil, der durch flache Flächen, vereinfachte Formen und eine gedämpfte Farbpalette gekennzeichnet war. Sein Werk spiegelt oft Themen des Glaubens, des Kampfes und der afroamerikanischen Erfahrung wider. „Christus mit Dornenkrone“ zeigt ein frontales Porträt Jesu, dessen Kopf mit einer Dornenkrone geschmückt ist. Die Figur ist vor einem dunklen, undefinierten Hintergrund platziert, was das Gefühl der Isolation und des Leidens verstärkt. Pippins Farbgebrauch ist zurückhaltend, wobei die blassen Hauttöne von Christi Gesicht und Körper mit den dunklen Dornen, Haaren und dem Hintergrund kontrastieren. Die Komposition ist einfach und direkt und konzentriert die Aufmerksamkeit auf die emotionale Intensität des Themas. Die rohe, ausdrucksstarke Qualität des Gemäldes ist typisch für Pippins Stil und vermittelt ein Gefühl tiefer Empathie und spiritueller Kontemplation.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Christ crowned with thorns - Horace Pippin
Regulärer Preis
Ab £37.00 GBP
Angebotspreis
Ab £37.00 GBP
Regulärer Preis
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Horace Pippin
Pippin enlisted in the army under a false name. On 15 July 1917, he joined the all-Black 15th New York National Guard Regiment (later the 369th Infantry, known as the Harlem Hellfighters) as "Harris Pippin". He served in France, kept a war journal illustrated with drawings, and was shot by a German sniper. The bullet partially paralysed his right arm. He was twenty-nine.
He was born in West Chester, Pennsylvania, in 1888; his grandparents had been enslaved. As a boy in Goshen, New York, he won a box of crayons in a competition sponsored by an art supplier. That was the extent of his formal art education. After the war, he settled back in West Chester and began painting in the early 1930s, using his left hand to prop up his injured right arm. He worked on canvas, fabric, and cigar boxes, and burned images into wood panels with a hot poker. He also tried bee sting therapy for his wound, trading fish pepper seeds to his Quaker friend H. Ralph Weaver in exchange for bees.
Pippin produced roughly 140 works over twenty years. His subjects ranged from war memories to biblical scenes, landscapes and domestic interiors. The style was self-taught and non-academic: flat, bold colour within firm outlines, with a structural clarity that recalls American folk art and Edward Hicks's peaceable kingdom paintings. In 1943, the collector Albert C. Barnes and curator Christian Brinton began championing his work, bringing it to major exhibitions in Philadelphia and New York.
He became the first Black artist to be the subject of a published monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947). He died in West Chester in 1946, at fifty-eight. The New York Times called him the most important Black painter in American history.
He was born in West Chester, Pennsylvania, in 1888; his grandparents had been enslaved. As a boy in Goshen, New York, he won a box of crayons in a competition sponsored by an art supplier. That was the extent of his formal art education. After the war, he settled back in West Chester and began painting in the early 1930s, using his left hand to prop up his injured right arm. He worked on canvas, fabric, and cigar boxes, and burned images into wood panels with a hot poker. He also tried bee sting therapy for his wound, trading fish pepper seeds to his Quaker friend H. Ralph Weaver in exchange for bees.
Pippin produced roughly 140 works over twenty years. His subjects ranged from war memories to biblical scenes, landscapes and domestic interiors. The style was self-taught and non-academic: flat, bold colour within firm outlines, with a structural clarity that recalls American folk art and Edward Hicks's peaceable kingdom paintings. In 1943, the collector Albert C. Barnes and curator Christian Brinton began championing his work, bringing it to major exhibitions in Philadelphia and New York.
He became the first Black artist to be the subject of a published monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947). He died in West Chester in 1946, at fifty-eight. The New York Times called him the most important Black painter in American history.
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Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Horace Pippin
Pippin enlisted in the army under a false name. On 15 July 1917, he joined the all-Black 15th New York National Guard Regiment (later the 369th Infantry, known as the Harlem Hellfighters) as "Harris Pippin". He served in France, kept a war journal illustrated with drawings, and was shot by a German sniper. The bullet partially paralysed his right arm. He was twenty-nine.
He was born in West Chester, Pennsylvania, in 1888; his grandparents had been enslaved. As a boy in Goshen, New York, he won a box of crayons in a competition sponsored by an art supplier. That was the extent of his formal art education. After the war, he settled back in West Chester and began painting in the early 1930s, using his left hand to prop up his injured right arm. He worked on canvas, fabric, and cigar boxes, and burned images into wood panels with a hot poker. He also tried bee sting therapy for his wound, trading fish pepper seeds to his Quaker friend H. Ralph Weaver in exchange for bees.
Pippin produced roughly 140 works over twenty years. His subjects ranged from war memories to biblical scenes, landscapes and domestic interiors. The style was self-taught and non-academic: flat, bold colour within firm outlines, with a structural clarity that recalls American folk art and Edward Hicks's peaceable kingdom paintings. In 1943, the collector Albert C. Barnes and curator Christian Brinton began championing his work, bringing it to major exhibitions in Philadelphia and New York.
He became the first Black artist to be the subject of a published monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947). He died in West Chester in 1946, at fifty-eight. The New York Times called him the most important Black painter in American history.
He was born in West Chester, Pennsylvania, in 1888; his grandparents had been enslaved. As a boy in Goshen, New York, he won a box of crayons in a competition sponsored by an art supplier. That was the extent of his formal art education. After the war, he settled back in West Chester and began painting in the early 1930s, using his left hand to prop up his injured right arm. He worked on canvas, fabric, and cigar boxes, and burned images into wood panels with a hot poker. He also tried bee sting therapy for his wound, trading fish pepper seeds to his Quaker friend H. Ralph Weaver in exchange for bees.
Pippin produced roughly 140 works over twenty years. His subjects ranged from war memories to biblical scenes, landscapes and domestic interiors. The style was self-taught and non-academic: flat, bold colour within firm outlines, with a structural clarity that recalls American folk art and Edward Hicks's peaceable kingdom paintings. In 1943, the collector Albert C. Barnes and curator Christian Brinton began championing his work, bringing it to major exhibitions in Philadelphia and New York.
He became the first Black artist to be the subject of a published monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947). He died in West Chester in 1946, at fifty-eight. The New York Times called him the most important Black painter in American history.
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