Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Cherry Picture (Das Kirschbild) - Kurt Schwitters
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
A seminal Dada work by Kurt Schwitters, combining oil paint and collage to transform everyday found objects into a structured, abstract composition.
Kurt Schwitters, a central figure in the Dada movement, developed his own aesthetic practice known as Merz. This term, derived from a fragment of the word Kommerz (commerce), describes his method of assembling discarded materials into new compositions. Cherry Picture (Das Kirschbild) is a primary example of this approach, where the artist integrates oil paint with various found objects, including paper scraps, fabric, and printed ephemera.
The composition is anchored by a central, incongruous image of cherries, which provides a representational contrast to the surrounding abstract arrangement of geometric planes and textures. Schwitters manipulates these disparate elements to create a sense of spatial depth, despite the inherent flatness of the collage materials. The palette is dominated by muted blues, greens, and earthy tones, which serve to unify the diverse textures of the wood, paper, and paint. By elevating everyday refuse to the status of fine art, Schwitters questions the traditional boundaries of artistic production.
This work reflects the post-war European climate, where artists sought to dismantle conventional notions of beauty and order. The inclusion of commercial labels and fragments of text suggests a dialogue with the urban environment and the rapid industrialisation of the early twentieth century. The work is not merely a collection of objects, but a deliberate construction that balances chaos with structural rigour. The juxtaposition of the delicate, illustrative cherries against the rough, weathered surfaces of the collage creates a tension that is characteristic of Schwitters's output during this period. His ability to organise these fragments into a coherent visual field demonstrates his technical precision and his rejection of traditional academic painting methods.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Look vervollständigen
Cherry Picture (Das Kirschbild) - Kurt Schwitters
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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