Charles Bridge, Prague - Oskar Kokoschka
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
A dynamic, expressionist view of the Charles Bridge in Prague, rendered with energetic brushwork and a palette of deep blues and earthy ochres.
Oskar Kokoschka painted this view of the Charles Bridge in Prague during his period of exile in the city. The work captures the historic stone structure as it spans the Vltava River, with the spires of the Old Town visible in the distance. Kokoschka employs a frenetic, gestural application of paint, which conveys the atmospheric conditions and the physical energy of the urban environment. The composition is structured by the diagonal sweep of the bridge, which draws the eye towards the city centre.
Unlike the static representations of the city common in traditional topographical art, this painting prioritises the subjective experience of the location. The palette consists of ochres, deep blues, and flashes of white, applied in thick, visible strokes. These marks create a sense of movement across the water and the stone arches. The figures on the bridge are rendered as small, indistinct silhouettes, suggesting their transient presence within the ancient architecture.
Kokoschka lived in Prague from 1934 until 1938, a time when he produced several views of the city. These works are characterised by a high vantage point, allowing for a panoramic view that encompasses both the river and the urban fabric. The artist often returned to the same subjects, experimenting with different light conditions and emotional registers. This specific view demonstrates his ability to combine architectural detail with a turbulent, expressive surface. The result is a depiction of Prague that feels immediate and restless, reflecting the artist's own state of mind during a period of political instability in Europe.
Rückgaberecht
Da jeder Druck auf Bestellung gefertigt wird, bieten wir keine Rücksendungen, Rückerstattungen oder Umtausche aufgrund von Meinungsänderungen an. Sollte Ihre Bestellung fehlerhaft, beschädigt oder falsch ankommen, ersetzen wir sie kostenlos – kontaktieren Sie uns einfach innerhalb von 48 Stunden nach Lieferung. Vollständige Details finden Sie auf unserer Rückerstattungsseite.
Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Charles Bridge, Prague - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Das könnte Ihnen auch gefallen