Catalan Peasant with a Guitar - Joan Miró
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Beschreibung
A minimalist Surrealist composition by Joan Miró, featuring symbolic, floating forms against a deep blue background.
Joan Miró created this work during a period of transition in his career, moving away from the detailed realism of his early years toward a more symbolic and reduced visual language. The painting features a deep, expansive blue field that occupies the majority of the canvas, acting as a void or a night sky. Within this space, Miró places sparse, floating elements that suggest the presence of a figure without explicitly depicting one.
A curved black line spans the width of the composition, implying the shape of a guitar or perhaps the horizon of a face. Smaller, distinct forms in yellow, white, and red hover above and below this line. These shapes function as signs or pictograms, representing the peasant's features or the instrument itself. The simplicity of these forms reflects Miró's interest in the subconscious and his desire to strip away unnecessary detail to reach a more direct, poetic expression.
The work is part of a series where Miró explored the identity of the Catalan peasant, a figure he associated with his own heritage and connection to the land. By reducing the subject to a few essential marks, he invites the viewer to participate in the construction of the image. The lack of traditional perspective or modelling forces the eye to focus on the relationship between the individual shapes and the vast blue background. This approach is characteristic of his mid-1920s output, where he balanced the influence of Cubism with the emerging principles of Surrealism. The result is a composition that feels both playful and mysterious, relying on the power of suggestion rather than literal representation.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Catalan Peasant with a Guitar - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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