Carré-couronne - Re Rom 337

A geometric study featuring nested, hand-drawn squares in a primary colour palette of blue, yellow, red, and green.

Carré-couronne presents a series of nested squares, arranged to create a sense of depth through concentric framing. The composition relies on the repetition of geometric forms, where each square acts as a border for the one contained within it. The artist employs a primary colour palette, alternating between shades of blue, yellow, red, and green to define the boundaries of each layer. The hand-drawn quality of the lines is evident, as the edges lack the mechanical precision of digital drafting, providing a tactile, human element to the rigid geometric structure.

The work functions as a study in colour interaction and spatial perception. By placing warmer tones like red and yellow against cooler blues, the artist creates a visual push-and-pull effect. The central green square serves as the anchor for the entire arrangement, drawing the eye inward toward the core of the image. The outer white border provides a neutral frame, separating the coloured layers from the surrounding space.

This piece belongs to a tradition of geometric exploration where the square is used as a vehicle for examining colour theory and symmetry. The simplicity of the design allows for an immediate engagement with the relationships between the hues. There is no attempt to represent external reality, as the work remains focused on the internal logic of its own construction. The application of colour appears dense and layered, suggesting a deliberate effort to saturate the paper surface. This print captures the raw, direct approach of the original, maintaining the visible texture of the pencil strokes. It is a clear example of how basic geometric shapes can be organised to produce a balanced, rhythmic visual experience.